THE “IT” GIRL’S RETURN

Dominion, Volume 26, Issue 105, 27 January 1933, Page 14

THE “IT” GIRL’S RETURN

UEKE are the opinions of two prominent New York critics of Clara • Bow who has staged a triumphant .< “come-back” to t'he screen in “Call Her /Savage”:—' < “Clara Bow shoots like a flaining ... arrow through the cinema skies on the ’ screen of the Roxy this week. She is ‘ better, though not a bigger Bow than / in the days when she made silent pictures shriek with “it.” Svelte, sweet, r with all the old magnetism that first «■ made her a personality, the red-head 'of the ranchos dominates every moment /of what’we hope may be the first of »a new series of ; film.entertainments. J “The development of that histrionic | talent always latent within her, has' ! re-made the girl into a versatile act-- ' ress, endowed her with a technical skill ’! heretofore lacking, and given her 'a ’dramatic depth unsuspected by all save few of the Hollywood initiate.”— / Regina Crewe in "New York American." ' “Clara Bow’s back. After a pro-' /longed absence, the red-headed fit’ , J girl has returned to the screen, much J more attractive and a much better acl- ’ ress than she was before her retirement, s And it is very pleasant to report the ; Fox Films did right by her in her ’come-back picture. “Call Her Savage." >Here shrewd direction, a chance to run .’through a variety of emotions, and ’ lialogue that is suited to her were j placed at her disposal. She takes ad,vantage of every opportunity and 'makes a magnificent come-back. Clara -j Bow has a grand send-off to a new > -areer in “Call Her Savage.”—Rose zt’elswick in “New York Evening Jourtnal." t « . ’