Te rangatahi dance

Press, 30 September 1988, Page 7

Te rangatahi dance

Te Kanikani o te Rangatahi presents “Taiao” at the Great Hall of the Arts Centre, September 29 and 30 and October 1, at 8.15 p.m. Running time: one hour 40 minutes. Reviewed by Elie Stephenson. Te Kanikani o te Rangatahi performance is the culmination of eight months work with - new performers who presented an exciting programme developed with a new group philosophy and direction. This young, vital and enthusiastic company blended traditional chants and strong vocal music to enhance the story lines of their pieces and carry the intensity of their work to the audience. “Whakaoho” (Awakening) is a collection of stories and personal experiences that had thought-provoking messages portrayed with humour, wit and charm. Strong convictions on many of today’s political issues were delivered in a descriptive, sometimes tongue-in-cheek but at all times very clear, way. Diction, mime and a high level of energy made this opening piece a dynamic start with a strong educational flavour. The seven dancers who performed “Whakaoho” showed understanding and sympathy, for the topical issues that have been part of their own personal realisations. This was a combination of theatre, drama and dance that worked most

successfully, drawing the audience into issues of the day. “Nga wai kororipo” inspired by a rock formation at Whangarei Te Ringa Paraoa, was choregraphed by Rozanne Worthington. This was danced by Julie Grant, Leichelle Tanoa and Dorothy Waetford, depicting the swirling waters. Although performed with sensitivity, care needed to be taken to produce a flowing link between movement and forms. “Tu Te Ao” was described as a contemporary haka using traditional and modern movement forms. It was a strong contrast and performed by Stephen Bradshaw, Norman Potts and Pita Te Tau, with many changes in rhythm and pace; but again at times appeared loose and unfinished. The final work, “Tahuri kite Whakapono,” contained a high energy level throughout and was danced by the company to throbbing drums. Smooth lighting changes gave mood differences while the effective costumes retained some traditional patterns. There was tremendous sincerity from all of the performers and conviction in their dance that delighted the audience. Te Kanikani o te Rangatahi has an important place as a theatre dance group. I wish them success both on their tour and as an educational programme.