‘The King and I’

Press, 12 July 1988, Page 21

‘The King and I’

“The King and I,” presented by the Kirwee Players at the A. and P. Hall, Kirwee, July 8 to 16. Reviewed by Elie Stephenson. Well may the Kirwee Players Programme for “The King and I” begin — “Kirwee Players proudly present” —! This talented group more than rewarded the effort required to brave the winter chills, and visit the country. On entering the hall, establishing the mood of Eastern splendour, are handsome crimson banners depicting dragons and other intriguing characters, which were made by the children in the production. In any production it is heart-warming to see a 16-piece orchestra of this calibre providing the musical accompaniment. Well done Graham Russell for your dedication in this area.

Patricia McEldowney is a wonderful Anna — her voice, her expressive face, and graceful movements while in control of her beautiful crinolines, were utterly convincing and enjoyable. John Park, the King of Siam, is a commanding figure — resplendent in elaborate raiment, strong voice, excellent diction, and a truly believable monarch.

The wistful duets of Tuptim and Lun Tha (Lorraine Clarkson and Malcolm Neil), were sensitively performed. Janet Cullens’ Lady Thiang was a regal characterisation, vocally rewarding

and in command of the 13 Royal wives, all of whom provided finely tuned chorus work.

"The children — The Children,” a bouquet for the children! Aged between seven and 16 years, their exuberance and versatility contributed so largely to this pleasurable experience. Families sharing an involvement such as this provide a special basis for performing skills and love of the theatre.

“The ‘Small House of Uncle Thomas,’ a play within a play, was brilliantly presented by the junior members of the company, with innovative direction and choreography. Accompanying clouds, snow, trees, rivers, appeared magically throughout with accurate timing and sparkle. Congratulations to the accomplished team who provided the lavish costuming which together with the lighting design was an integral part of this many-faceted production. Brian Brodie’s expertise as a director is well evident throughout, as his skill in encouraging the potential talents of the cast brings them to a rewarding level of professionalism. His originality, versatility and innovative set designs add many new dimensions to the use of the stage, and transform this well known musical production into something unique for performers and audience. Theatre is alive and well, beyond the city limits.