Neil Pardington, an exhibition designer, positions Colin McCahon’s painting, “As there is a constant flow of light,” in a model of the controversial art exhibition area in Shed 11.
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Press, 2 December 1987, Page 24
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29Neil Pardington, an exhibition designer, positions Colin McCahon’s painting, “As there is a constant flow of light,” in a model of the controversial art exhibition area in Shed 11. Press, 2 December 1987, Page 24
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