Facing up to framing up
When photographing a person, do not put the head in the middle of the frame unless you have very good reasons for doing so — such as the wish to include scenery or other background. In the accompanying photographs, the back-
ground is nondescript and the effect of putting the girl’s head in the middle is to cut off her feet without any compensating inclusion. In fact, the privet bush seems to be bearing down on her when her head is in the middle of the photograph.
This does not, of course, mean that you should focus on her midriff rather than her face — if the camera allows, focus on her face and then if necessary adjust the position of the frame. While some automatic cameras give no opportunity of focusing other than at
the centre of the frame, others have a focus lock which enables you to focus first and then point. In the photographs shown the lack of a focus lock would not matter greatly as the face is not much further from the camera than the midriff is.
Permanent link to this item
https://paperspast.natlib.govt.nz/newspapers/CHP19850807.2.138.2
Bibliographic details
Press, 7 August 1985, Page 38
Word Count
185Facing up to framing up Press, 7 August 1985, Page 38
Using This Item
Stuff Ltd is the copyright owner for the Press. You can reproduce in-copyright material from this newspaper for non-commercial use under a Creative Commons BY-NC-SA 3.0 New Zealand licence. This newspaper is not available for commercial use without the consent of Stuff Ltd. For advice on reproduction of out-of-copyright material from this newspaper, please refer to the Copyright guide.
Copyright in all Footrot Flats cartoons is owned by Diogenes Designs Ltd. The National Library has been granted permission to digitise these cartoons and make them available online as part of this digitised version of the Press. You can search, browse, and print Footrot Flats cartoons for research and personal study only. Permission must be obtained from Diogenes Designs Ltd for any other use.
Acknowledgements
This newspaper was digitised in partnership with Christchurch City Libraries.