Midwinter Razzle

Press, 27 June 1983, Page 8

Midwinter Razzle

The Moving Company and Beyond a Joke, part of the Midwinter Razzle, at the Free Theatre, June 25. 8 p.m. Reviewed by Heather Campbell This first public performance by the newly reconstructed Moving Company which is now- performing full-time, came through as dynamic and challenging. Emphasising contrasts in both philosophical and choreographic terms, the dancers immersed themselves in rhythmic body bends, off-centre lunges, interestingly angled lines, and effective use of stillness. “Haircut,” the opening number, showed unison and wit, conveying to the audience the insecurities and self-perpetuating concerns of the “lady on the prowl.” The long-limbed physique of Kate Barret, a dancer from the United States had aesthetic appeal' as well as flowf»style, and musicality. The placing of this work

first on the programme where immediate rapport with the audience is necessary to establish communication, was perhaps inappropriate. A more vibrant police may have achieved this communication with greater expediency. However, the problem may be in my expectations rather than the choice of the director. Lynette Van Trierum, a recent arrival to the company, whose classical training was strongly reflected by the pliant ease with which she performed the coiling shapes and shifting patterns of the well structured choreography of Judi Brookfield, has moved into the modern idiom most capably. Shaun McLeod adds much to the company with his innate ability to move, and to interpret the ideas of the choreographer, and above *,all he has a great sense of 'Stun. Lisa Densem has a Natural stage presence and

with further experience should be an asset to this company. , “Lily Marlene,” a study in sartorial elegance with matching movements by Leanne Plunkett, was well achieved. The imaginative lighting combined with the understated sensuality of her performance recreated the atmosphere of a Germanic night dive of the First World War. It was a most successful work and congratulations must go to Judi Brookfield, the artistic director. Beyond a Joke, it was indeed, as it belted out music which in turn sent many people belting out the door. This was because of an unsuitable venue rather than a lack of musicianship. At Western Springs it would have been brilliant. As a group it is well equipped to entertain with sophistication and humpur, ana it showed musical Aility and a varied choice fiPrepertoire.