The dancer Elisabetta Terabust, of the London Festival Ballet, in a performance of “Swan Lake” in 1977. The illustration is one of almost 100 photographs in the collection “Dancers,” by Anthony Crickmay (Collins, 1982, $85). In an introduction Andrew Porter writes that the book is an attempt to record, by black-and-white photographs, what dance and dancers were like from 1960 to 1980. Dance, is the most fleeting of the arts. Crickmay often manages in his pictures to achieve a remarkable suggestion of previous and subsequent action, making more of his photographs than a record of a frozen moment. The price of the book, like some of the dancing, is awe-inspiring.
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Press, 27 November 1982, Page 16
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110The dancer Elisabetta Terabust, of the London Festival Ballet, in a performance of “Swan Lake” in 1977. The illustration is one of almost 100 photographs in the collection “Dancers,” by Anthony Crickmay (Collins, 1982, $85). In an introduction Andrew Porter writes that the book is an attempt to record, by black-and-white photographs, what dance and dancers were like from 1960 to 1980. Dance, is the most fleeting of the arts. Crickmay often manages in his pictures to achieve a remarkable suggestion of previous and subsequent action, making more of his photographs than a record of a frozen moment. The price of the book, like some of the dancing, is awe-inspiring. Press, 27 November 1982, Page 16
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