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A member of the Canterbury Museum Trust Board, Mrs Norma Walls, shows off the latest addition to the museum’s collection of contemporary Japanese ceramics. The flower vase, made by Eisuke Morimoto, is unglazed, traditional Bizen pottery with unintentional fire patterns (yohen) and dark-coloured patination (sangiri) from fused charcoal fragments. The vase brings to. 51 the museum’s collection of Japanese pottery items.

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https://paperspast.natlib.govt.nz/newspapers/CHP19811120.2.26.1

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Press, 20 November 1981, Page 3

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61

A member of the Canterbury Museum Trust Board, Mrs Norma Walls, shows off the latest addition to the museum’s collection of contemporary Japanese ceramics. The flower vase, made by Eisuke Morimoto, is unglazed, traditional Bizen pottery with unintentional fire patterns (yohen) and dark-coloured patination (sangiri) from fused charcoal fragments. The vase brings to. 51 the museum’s collection of Japanese pottery items. Press, 20 November 1981, Page 3

A member of the Canterbury Museum Trust Board, Mrs Norma Walls, shows off the latest addition to the museum’s collection of contemporary Japanese ceramics. The flower vase, made by Eisuke Morimoto, is unglazed, traditional Bizen pottery with unintentional fire patterns (yohen) and dark-coloured patination (sangiri) from fused charcoal fragments. The vase brings to. 51 the museum’s collection of Japanese pottery items. Press, 20 November 1981, Page 3