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The theatre? A little night music? Being together is what matters. The flouncy full-length gown is in sheer polyester with a Regency pattern of pastels on black. Frills at wrists and neckline repeat the deeper frill at the hemline. Designed by Camette. A formal three-piece by Sax Altman, the suit is grey wool flannel with a centre vent in the jacket and slightly flared trousers. (DIC/Beaths, Cashel Street).

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https://paperspast.natlib.govt.nz/newspapers/CHP19781017.2.61

Bibliographic details

Press, 17 October 1978, Page 28

Word Count
68

The theatre? A little night music? Being together is what matters. The flouncy full-length gown is in sheer polyester with a Regency pattern of pastels on black. Frills at wrists and neckline repeat the deeper frill at the hemline. Designed by Camette. A formal three-piece by Sax Altman, the suit is grey wool flannel with a centre vent in the jacket and slightly flared trousers. (DIC/Beaths, Cashel Street). Press, 17 October 1978, Page 28

The theatre? A little night music? Being together is what matters. The flouncy full-length gown is in sheer polyester with a Regency pattern of pastels on black. Frills at wrists and neckline repeat the deeper frill at the hemline. Designed by Camette. A formal three-piece by Sax Altman, the suit is grey wool flannel with a centre vent in the jacket and slightly flared trousers. (DIC/Beaths, Cashel Street). Press, 17 October 1978, Page 28