Superb song recital

Press, Volume CXIV, Issue 33446, 30 January 1974, Page 18

Superb song recital

Brian Hansford, paying a most welcome visit from Melbourne, gave a superb recital in the University Hall last evening. His accompanist was Maurice Till, whose work always leaves glowing memories and appreciation.

Mr Hansford began his programme with six seven-teenth-century songs, sung stylishly with attention concentrated upon clarity of line, Caccini’s “Amarilli” can always be relied on to set a serene atmosphere for a recital, and Mr Hansford sung it superbly — with a marvellously executed trill at the end. Mr Hansford has a baritone voice of enfolding richness and warmth, secure in resonant vibrancy, always compelling without the slightest strain or suspicion of “over-singing.” It is a long time since a singer in Christchurch has given such pleasure through beauty of voice and technical polish. The group of early songs had wide contrasts and each had characteristic charm.

The Four Serious Songs by Brahms were given deeply felt, powerful, and wholly admirable interpretations. The consolatory lyric section of “Ich wandte mich” was deeply moving, as was the second part of “O Tod, wie

bitter bist du.” The last song summed up the essential beauties of the others and added its own encompassing riches in this superb interpretation.

This singing could easily be one of the highlights of the year’s music. Mozart’s “Mentre ti lascio,” the Concert Aria, was sung with quite different stylish graces giving clear outpouring of tone in lovely line. “Le Femmine d’ltalia” by Rossini gave a sunny and boisterous ending to the first part of the programme. Five Australian Lyrics, by John Antill, based upon Aboriginal legends, were most attractive and created interesting atmospheres of wide spaces and of searching. This was particularly so in “The Stones Cry Out,” telling of drought and desolation. “A Song to the Storm” had atmosphere of terror and wonder, calling for powerful and brilliant singing. Five folk songs from various nations began with Hungary’s “Had a Horse” — a most stirring story. The little Australian “Jabin Jabin” gave

restful contrast. "The Boatmen’s Song” told of the great river boats of America with jollity and great charm. “The Reiving (or Pirate) Ships” of the Hebrides would stand no nonsense in an encounter. In these songs and in others Mr Hansford showed great dramatic ability, and what an impressive singer he would be in operatic roles. Mr Till played the accompaniments with his unfailing artistry and immaculate technique.

This recital deserved an audience which would fill the Town Hall. It is to be hoped that Mr Hansford will come again and give one there. —C.F.B.