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TWO ENVIRONMENTAL ART PROJECTS were mounted at Kenwood, Hampstead, as a contribution to the Camden Festival. Both projects demanded open space in which the spectator could walk into the work of art, as he might in a feature of landscape gardening. This work of Timothy Drever, entitled “Four-Colour Theorem,” invites the spectator to take part in rearranging about 100 different flat geometric shapes.

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https://paperspast.natlib.govt.nz/newspapers/CHP19690604.2.186

Bibliographic details

Press, Volume CIX, Issue 32005, 4 June 1969, Page 21

Word Count
63

TWO ENVIRONMENTAL ART PROJECTS were mounted at Kenwood, Hampstead, as a contribution to the Camden Festival. Both projects demanded open space in which the spectator could walk into the work of art, as he might in a feature of landscape gardening. This work of Timothy Drever, entitled “Four-Colour Theorem,” invites the spectator to take part in rearranging about 100 different flat geometric shapes. Press, Volume CIX, Issue 32005, 4 June 1969, Page 21

TWO ENVIRONMENTAL ART PROJECTS were mounted at Kenwood, Hampstead, as a contribution to the Camden Festival. Both projects demanded open space in which the spectator could walk into the work of art, as he might in a feature of landscape gardening. This work of Timothy Drever, entitled “Four-Colour Theorem,” invites the spectator to take part in rearranging about 100 different flat geometric shapes. Press, Volume CIX, Issue 32005, 4 June 1969, Page 21