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TWO WOMEN.—From the restricting geometry of the cubist “Seated Woman in Armchair” of 1921 (top), a bronze 5¼in high, Lipchitz progressed to a more personal style, as shown by his “Dancer with Braids,” a 13½in bronze sketched 26 years later.

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https://paperspast.natlib.govt.nz/newspapers/CHP19660405.2.82

Bibliographic details

Press, Volume CV, Issue 31027, 5 April 1966, Page 8

Word Count
40

TWO WOMEN.—From the restricting geometry of the cubist “Seated Woman in Armchair” of 1921 (top), a bronze 5¼in high, Lipchitz progressed to a more personal style, as shown by his “Dancer with Braids,” a 13½in bronze sketched 26 years later. Press, Volume CV, Issue 31027, 5 April 1966, Page 8

TWO WOMEN.—From the restricting geometry of the cubist “Seated Woman in Armchair” of 1921 (top), a bronze 5¼in high, Lipchitz progressed to a more personal style, as shown by his “Dancer with Braids,” a 13½in bronze sketched 26 years later. Press, Volume CV, Issue 31027, 5 April 1966, Page 8