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A STATUE OF WRESTLING LIBERTY:—Ed Faieta, caught by the camera in the pose which has become familiar in the Civic Theatre this season. The victim of this standing splits is Al Costello. Only moments before, Faieta had struck a similar attitude, and the photographer had been a little late with his camera. But Faieta courteously resumed his stance. Costello’s views were not clear.

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https://paperspast.natlib.govt.nz/newspapers/CHP19560609.2.30.5

Bibliographic details

Press, Volume XCIII, Issue 27990, 9 June 1956, Page 3

Word Count
63

A STATUE OF WRESTLING LIBERTY:—Ed Faieta, caught by the camera in the pose which has become familiar in the Civic Theatre this season. The victim of this standing splits is Al Costello. Only moments before, Faieta had struck a similar attitude, and the photographer had been a little late with his camera. But Faieta courteously resumed his stance. Costello’s views were not clear. Press, Volume XCIII, Issue 27990, 9 June 1956, Page 3

A STATUE OF WRESTLING LIBERTY:—Ed Faieta, caught by the camera in the pose which has become familiar in the Civic Theatre this season. The victim of this standing splits is Al Costello. Only moments before, Faieta had struck a similar attitude, and the photographer had been a little late with his camera. But Faieta courteously resumed his stance. Costello’s views were not clear. Press, Volume XCIII, Issue 27990, 9 June 1956, Page 3