MUSIC IN SYDNEY.

Press, Volume LXVI, Issue 19889, 28 March 1930, Page 11

MUSIC IN SYDNEY.

possibility of ORCHESTRAL CQNGB^XS that _ was' musKaajq «mfr stock of its the last «uteS[ playing m of the maiatenanee l of «ional body unta there » raw i£S tee of retaining tlin rinmts - -J. sunable salaiy. Tin 25m or an Ab | are getting from each at the mm* concerts would not fend? «r ZS aad one *esuK» -from a body of wmcaaa S ire not assured of rmfliriiiiil mm a which to lire. "What is renlhr muted im JbmtmKm cities- are «»ti*ens.who fum-tha cognise in a fine sywpWr ardMhaL not only an organisation for tb tnesal and cultural npiift of ths also an organisation irOlnki ui time to the financial benefit if' Him " eonnt-17. How many penw enr tw^minutes* tinodifc to ansb Philadelphia and ]fiaa|Saßi!f!HV these cities gave did mime?, their orchestras komiS Utem on the map, afc-a tiMSM «w the present. when Anstnfia a2 *u the ndrcrtismg vi t^S r '' symphony orchestra ttakUTtm the very best mediums." _ J»rofessor Hoioe thmfo "Ctrer tIXDG fgp M9MB |«| musicians. He ssgs that thna oew musical age npsrarfSJ" teat already people att jg accept more purism in mesifr'tßle'dS •jsed to Ui this direction It is «f wL t«rest to note that in%dncgr «* « rate tlm piano player is vJkm favour, and that aiii •■oming into their own npua *Wte - talkies, it is said, ar» h%jw to velop a taste for nresir. hot the |2» sonal touch is - Vi <