FULLER'S OPERA HOUSE.

Press, Volume LXVI, Issue 19819, 6 January 1930, Page 6

FULLER'S OPERA HOUSE.

Large audiences have so far been very well satisfied with Jim Gerald's new.revue production. "Oh, Mum 1" whTcri is running this week at Fuller's New Opera House. It possesses all that a revue should possess both in the players and the staging, and although the company does not bother much about a story the various scenes are co-related to some extent. The mundane title. "Oh, Mum!" actually contains far much more than it infers. It is really a tribute to the work of the player in the title To le—Gerald. In the first half he appears in several short acts, but the second portion finds him with the stage practically to himself—w;th some excellent support—and his "dame" work is a revelation to Fuller patrons. The musical numbers are varied, up to date, and excellently produced. Among them are: "Tucky Lane," by Letty Craydon and ballet; "Cherie," by Iris May; "Ob, Doris," by Tom Dale and ballet; concerted dance number by "The Twinklers," dance specialty by Joan Graham and Ron Shand; "Dream House," by Linda Foy and ballet; "My Pet." by Lily Cobnrn and ballet; "Paradise," by Essie Jennings; "The Garbage Gentlemen's Ball," by Essie Jennings and Jim Gerald, and "Nirvana," by Tom Dale. Particularly fine is a South Seas number in which the ballet, with specialty dancers, appears against an artistic setting of palms and rippling moonlit water. Of the male dances, Sir Shand puts his best foot forward in some clever eccentric steps. Assisting Jim Gerald greatly in his dame work is Miss Jennings, whose characterisation of the un- . eouth and embarrassing young daughter is most clever.

In general terms the show is one of the best seen at the New Opera House for many months. In all departments there is strength, and it would appear that much strict training, had gone into the making of the production. The frocking is well varied, and the dance steps of the ballet change definitely with every number.