BRAHMS' "REQUIEM."

Press, Volume LXIV, Issue 19481, 30 November 1928, Page 14

BRAHMS' "REQUIEM."

AT THE CATHEDRAL. Last night, at the Cathedral, the annual performance of Brahms's "llequiem" took place. Regarding its origin the assumption that it was intended for special dedication is not tenable. The great work was suggested by a statement of fact that none existed in that sacred form with other than Latin or Italian words. Brahms therefore meant it to be and named it, "A German llequiem." . Who may attempt to describe in mere words its music? In its broad setting it is for ever tuned in compassion, it soothes with a clinging sweetness that irresistibly envelops the hearer. There are .moments when heights sublime are scaled. Almost the whole work ia choral, even the few solos lean upon a harmonic structure surrounding them. In the original the orchestra occupies the place of the organ in bur Cathedral, rehearsal. But who will miss it? The beauty of Dr. Bradshaw's organ-playing from the introductory Praeludium onwards through the length of the Requiem is supreme. In almost flawless combination the voices are fully trained to keep pace with the lofty conception of the organist, the feeling of security and admiration is never- shaken. Mr F. A. Bullock sang the baritone solos impressively with sonority of tone and skilful treatment, and the light, pure voice of Master Phil Wright sounded very'charming in the solo "You Who Now Sorrow." The whole performance, largely attended, was really beyond praise.