Page 28 Advertisements Column 1

Auckland Star, Volume LVIII, Issue 89, 16 April 1927, Page 28

WMmMMmmmmmwmMMMmMmMMmmMMWwmm iiiiiiiiminiiiiM LA MARSEILLAISE TF it thrills you to hear great © (/£%!£ music—learn the greater thrill of l«f fSNky playing it yourself. .. Now anyone can f^^s^^^3^^ Learn the joy of seating yourself at the piano and playing —•" any kind of music with your own touch, your own expression -c»ctiy a. i„ ha„d playing The Gulbransen Registering Piano Music tor singing, Music for dancing. Music just for the • . i i • , . f •T i • j sheer joy of personal creative expression. JS the Only instrument OI ltS Kind You can do it now. You can brighten your home with in the World. cheering, satisfying fun of music that you can play yourself __J •*,-.#. ~,»,. .»«„J .«,»«. _ __«._ I The Gulbransen is not a Player to the world in thi» masterful ere—and yet—yOU need not knOW a note! Piano> but ;, the only piano in [ Ke B , ion _the Gulbransen Registering The Gulbransen Registering Piano has now made that un- T rU w,t^ he rT°\ ~u > u . i _ 1r» • • r •««««- v«*mi. Mil device. How can roll music be I his Art, that enables you to play necessary. ItS patented Registering feature enables yOU tO played on the Gulbransen equally as with the same expression as though play by roll and foot pedal with your individual touch, just a a 8 9 k . music pUyed by hand " ? £." SSiST feS^ as in hand playing. It has brought to music-lovers every- f rom every player-piano in the where the deep enjoyment that only a few have had before Th < -~ " P "'°" al Wh ' %?„ £' JSSLTfiS !£ the JOy of Self expression in the Wonderful language of Personal Touch—selective touch— drop in for an evening. Your home • • ° self expression, control of keys as will be known for its entertainment playing by hand that is the missing and charm if you own a Gulbransen. Everywhere it is teaching children an appreciation of music k rt . ?f! A n °{ Gulbra " se " c ° ntri " And " hen a,on «. vo «. wi » alwav--1 I . , . , . e . . upi/ii-waiiuu ui iiiusu* buted to roll playing. Hand playing have the companionship of music. helping them in their mUSIC IeSSOnS Opening the Way tO nad '*• Pla y« Pianos did not. So Playing the Gulbransen 10 minutes popularity and social standing in later years. Can you deny SSSS. So" 01 " C ° U,d not play " ef yours this great advantage? Nt home with this instrument. Mr. Gulbransen had spent a lifetime Won't you accept our invitation to -1 A. *sx — ->~»i_ _ . > n making fine musical instruments try it) Prices from £165. Free jW I I I ■ M \_J 1W I ( and believed there must be a way. literature is yours if you desire it. K 111 || |\ r"\ A' ' ast c discovered it and ,-.T\"e it Write or Call. KJtheHegistering Piano A big advantage of the Gulbransen Registering Piano over &jSwBS> AsOUTtfO^TLm ordinary Player Pianos is Gulbransen's "Easy Playing" litßl * *^L facilities. No strenuous pumping is necessary—you can Jl^^mJ^^^Ju^^^'^^^^^S^^S^^SSS^f play a Gulbransen for hours on end and not feel in the least WMllmMm Mfl c*/»u»vs*^c«i inm ->m fatigued. And there's nothing to confuse with a Gulbransen Z7IZZ. . —the loud and soft pedals are as easily controlled as the l. hoffmann ...'.".'..".'.'.'.'.'.'.".*.'.'.'.'.'. Manager' New Piymoliu. Branch'. loud and soft pedals of an ordinary piano. There are no s ' BLfINSHARD wnangarei Agent. unnecessary expression devices to bewilder the beginner— j. h. gittos Hamilton Agent. anyone can learn to play the Gulbransen in ten minutes. fl ' v ' MERR,BI,Ar ' Rotoru* Agent.

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