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AMUSEMENTS. READ THIS! PLATEES AND CAMERAMEN risk LIVES FILMING MAD BCSH OF 5000 WILD HORSES FOR "WILD HORSE MESA." SHOWING TO-DAT AT TIVOLI AND PRINCESS THEATRES. Picture goers who rare about the sensational pictures you have seen you who have witnessed the screen , * mightiest thrills, who have enjoyed the dynamic action of epic Westerns —see • Wild Horse Mesa." and you'll have something to talk about : * For stupendous action, for sdop tacular thrills and for the mo<t gasp provoking climax ever flashed molodrama, produced 'from Zane Grey's newest novel, has them all beaten : Imagine a tremendous herd of five thousand terror stricken wild horses charging at top speed across a vast stretch of tableland, headed straight for a treacherous barbed wire corral! This stampede—the final, smashing highspot in the photo play—is pj c " tured in all its terrifying realism and was filmed at great personal risk to camera men and players. many of whom narrowly escaped death from the thundering hoofs of the wild steeds. And this scene comes as a fittin™ and high-powered finale to a series of tremendous events which have their beginning when Jack Holt, hero of the picture, comes into open and bitter conflict with a gang of outlaws and horse thieves, captained hy Noah Beery. Billie Dove is the lovely heroine and Douglas Fairbanks, jun" portrays the fourth featured role, that of Holt's daredevil younger brother. The rugged and magnificent scenery of the location's backgrounds are not the least of the photo play's worthwhile ft-atures. All of the exteriors were at Red Lake. Arizona, where was found an almost unbelievable duplicate of " The Wild Horse Mesa"—the actual locale of the story—with thousands of wild horses inhabiting the place. " Wild Horse Mesa " represents the new class of Western melodrama. There is the beauty of the untrammelled wilderness, used as a background for amazing feats of daring, the whole produced in a novel and unusual stylo that will delight, you. "WILD HORSE MESA." By ZANE GREY. COMMENCING TO-DAY AT i J THE PRINCESS AND J TIVOLI. i ] ! A SPECIAL ATTRACTION FOR PARAMOUNT* GREATER MOVIE WEEK. SECOND ATTRACTION AT TIVOLI: ALICE JOYCE In "THE HOMEMAKEH." TIVOLI SCREENS AT 2.13 AND 7.30. TIVOLI : Phone 44-130. PRINCESS SHOWS "WILD HORSE MESA •' AT 13, :. 4. 6, S P.M. PRINCESS : 41-uSG. WEST N D rp HEAT F. E. EST -A-HEATBE. PONSONBY ROAD. Screening at 7.43 Sharp, VAUDEVILLE & PICTURES. Mrs. riunK RS. In " NIGHTIE •' "NIGHTIE." "NIGHTIE" "NIGHTItV REECE. English Comedian. FRANKHAM DUO, Son£ and Dance. EDNA JENKINSt iN. KDNA JENKINSUN. Dance Espano!. R. ST. -CT.AIR, Renowned Baritone. R. ST. CLAIK. Renown.-d Baritone. i Supported by Several Selected Items. Also. BERT LYTELL AND CLAIRE WINDSOB In "A SON OF SAHARA." " A SON OF SAHARA." "A SON OF SAHARA." Comedy. Plioes: Stalls 03, D.C. I. TO W N TT ALL. O W N -LL ALL. SUNDAY NEXT, AT 5 30 r>l. MUSICAL RECITAL MUSICAL RECITAL By THF. MUNICIPAL HAND THE MlMai'Al, is AN t> Under the Batou of CHRISTOPHER S.UITH. ADMISSION FKEE. J. ;. DKIGHAM. ■I Tuivn Clerk. IT O N O L U L U ■Iγ E E X AT pAI-'AUEX. TO-NIGHT. TO-NIGHT. DANCING S TO 11 P.M. Admission 1. , Oα pc: Pzia. Music by the FAMOUS INTERNATIONALS. For Reservations Ring Cnbarc: Telephone 43-333. 20-6!■"■. RAFTON LIBRARY HALI»i T FRIDAY (TO-MORROW). At S p.m. a J Miss MARGuT ANITtKSON » Vocal Reciin: ~ Mr. VenaMfs wii! >mi- "Give ro M« i»« Life I Love." a new s.mg by Mr. John A.R.C.0.. and Mix.- Hurford will l" a Vnn" of Mr. Tah's ••H..li.lay Sketch.-* {•'/J°S? now appfarins in the .><"" - , land 1-lotf.rial Xew<." Tickets. - and X/ from vie Bristol Piano C,,.. and at hall a°^; ri a R it i: N i* * I: T V ' T at Tin: n:i:.i»!:::vs home. VAUXHAI.I. Rli.. nKVONI'OBT^ iMSTniNni VNri: "''■"- '"• —

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https://paperspast.natlib.govt.nz/newspapers/AS19260304.2.200.6

Bibliographic details

Auckland Star, Volume LVII, Issue 53, 4 March 1926, Page 20

Word Count
625

Page 20 Advertisements Column 6 Auckland Star, Volume LVII, Issue 53, 4 March 1926, Page 20

Page 20 Advertisements Column 6 Auckland Star, Volume LVII, Issue 53, 4 March 1926, Page 20