Page 10 Advertisements Column 2

Auckland Star, Volume LII, Issue 60, 11 March 1921, Page 10

AMUSEMENTS. n, ' " :i I .1 I.AST SCREENING TO-NIGHT OF GEORGE WALF-1 IN "No. 17," AND :' i suirley mason in -the gikl of my heart. ,, "i !ii I HIPPODROME PICTURES. j ! mO-MORROW - yjATCRDAY — rpO-MORROW. p ■*• o-mouuow - — -*-o-Monnow. '_ I . We have Pleasure iv Presentlns for Hie First Time in the Dominion. r WILLIAM FOX'S POWERFUL PICTURISATION c ! or v ' ' TTENRY \T T T ONGFELLOW'S •• T^VANOELINE." '■ -tJ-KNKV »'. ■L'liNCI-'Kl.l.nff'S " i-M'AXGELINE." , I TTENHY W T oNGFEI.LOW'S ■• IPVAXUELISK." ": -Q-ENUY »» • -L'oNIiKKI.I.oWS •• C-d VANGELINK." ' ITEXRY W 7 ONGFKI.LOW'S • |,i VANCKI.INK." JJ-ENKY ''• -L'oNCIia.LOWS - I^VANOKLINE." f ■•■■•■""->« " "\fIRIAM /"VidPKR, . r -"-MUIAM V-'iKU'KU, MIRIAM 1 toOI'KK, IRIAM IIOl'Ki:. „ A TIKI AM / MMII'KU. 5 -J-MUIAM v UOI'KR, TITK MAIIUNNA OF TMK SCREEN ; Till-: MADONNA OF Till-: SCREEN. '. j Till: MADONNA I. Till-: SCUKKN. 1 THE MAI'iiNNA «>!•■ TIIK M'UEKX. ~ i THK MADONNA OF Till: SCREEN. J. I THK JI.UHiXNA UK THE SCKEEN. . A rpiIIBCTK TJMIOM rpilK IENSORS - (SPECIAL TJEPOKT, ( J Of THE NATIONAL BOARD OF UKVIICW OF MOTION PICTURES. j To FOX FILM CORTURATION. I Gentlemen,— i j We wish to advise yi.ii Hint the majority comment on your photoplay. 4 "EVAXtIKUXK," reviewed by the National Hoard of Review on AUGUST 13, 10-"O, j JPXTEKTAIXMKXT "yAI.VE: IXISVAL.. -| J£DUCATIONAL EXCELLENT AND IMI'OUTAXT. c \ RTISTIC yiLfE; Dramntio Interest of story CENTRES IN FINK NARRATION. Cuhereuce of narrative. EXCELLENT. Acting, GOOD, Photography, FINK. Technical handling, CAREFUL AND UF.STRAINEU. CoCtumlnß lif period production), AUTISTIC. Atmospheric quality— Scenic sottlnc, CONVINCING :" AXIi EFFECTIVE. Historical value (If period production). IMPORTANT AS PICTURING THK POEM. MORAL TT'FFECT: INHPHtINC. '. j KNERAL pOM.MENT: THIS IS AN INPOI T.TKDI.Y SINCKItK AND FAITIIFFL . I SCREENING OF LONGFELLOW'S FAMOUS POEM. IT SHOULD ATPSAI. TO ALL CLASSES, YOUNG AND OLD. WHO HAVE A PERCEPTION [\ FOR THE DRAMATIC. THK SIGNIFICANT AND THK nKATTIFI'L. IT IS f I TREATED WITH IMAGINATION AND ARTISTRY. ANT) IS REMARKABLY • SUCCESSFUL IN MAKING LIVE THE PERIOD OF THE STORY AND IN CREATING REALITY IN THE CHARACTERS. it IS ONK OF THE MOST TRUTHFUL PICTURES TO THE ORIGINAL EVER PRODUCED, BOTH IN SPIRIT AND CONTENT OF NARRATIVE. IT IS ONE OF THE RARE PICTURES THAT LEND STRENGTH AND BEAUTY TO THE WRITTEN STORY. THE FUNCTIONS OF MOTION PICTURE REVIEW. The critics of the motion picture ndvlso rounnllnir rnnrnlly oliJootionnMo elements , before they are presented to the public. THEY BRING TO THE PICTURE THE liberty of speech :md liberty <if creation. Under no circumstances must these be curtailed. The critics mi:<t give full liberty to ideas presented through the drama, mutters of historic lnterpretution. comedy, current events, etc. At the same time society, which is l»>:nK amused, entertained or inspired, must be jriven the right to rcplstcr ethical oonvirtions. The National Hoard of Review ) thrnujrh its members nims to perform this service for society with broad-mlndr-dncss, - liberality, and even handed justice. It avoids enforcing personal opinions. It dons [ not believe in coercion. It searches dllicelltly for fundamental convictions nnd : renders decisions which it Is convinced will have broad public support. Though it : is a voluntary extra-lecal body having no legal power resident iv Itself, Its decisions ' become effective through tlie crystallisntton of public opinion resardlnc the treatment a of the sulO'ectfi represented, and which It seeks to Range nnd reflect throush the :. co-operation of official and non-otliclal correspondents of the National Board of D Review in all parts of the country. >. NOTE. •> ENTERTAINMENT VALUE: This term applies to all that which is entertaining a or intereet-holUing. 3 EDUCATIONAL VALUE: This term applies to pictures that are instructive In j science, industry, travel, and the presentation and interpretation of ffreat classics. . or that nre illustrative of customs of people and ways of living of different classes of society past and present. MORAL EFFECT: This applies to the moral effect of the picture either p consciously or unconsciously produced. ARTISTIC VALUE: Th!* term ta Interpreted broadly to include the nctinjt, the drama itself, the state se'.tincs, artistic outdoor scenes and scenery, the appropriateness of the production to the story treated, the costuming, and the absence of incongruous elements. THE NATIONAL BOARD OF REVIEW OF MOTION PICTURES. HIPPODROME ORCHESTRA. SUPERB MUSIC. PHONE FOR TOUR RESERVES "|7<ARLY — A fKK> PHONE FOR YOUR RESERVES -EjaULY — *^OW. NOTE SESSIONS: 12, 2, 4. 0, 8. f t

;• A PICTURE THAT WILL LINGER IN YOUR MEMORY. ■VTATIONAI. "PICTURES. " "KTATIONAL TJICTUBB& i> ATIONAL -t ICTURES. 'PHONE - -»-> ATIONAL *- ICTUBES. XJAIIQNAL, pICTUkES. 21UUA. XT ATIONAL pICTUUES. ATIO.NAL A ICTUUES. -A-* ATIONAL -t ICTUBES. TO-DAY. mO-DAT. O-DAY. "-O-DAY. UNIVERSAL FILMS PRESENT A SDPER DE LUXE JEWEL PRODUCTION FOR UNIVERSAL EXHIBITION. DOROTHY "piIILLII'S, IN THE fTUIE TTEART OF TTUMANITY. OUOTHY -t HILLII'S, GREAT ■■ HE -d-EART OF -U-UMANITY. 3 T-VOKOTHY TJHILLIPS, HUMAN mHE TTEART Of TTUMANITY. -L'OROTHY -tuiLLII'S. I>HAMA -I-lIE "J-EART OF -CLUMANITY. DOROTHY T)HILLIPS, OF fTMIE TTEART OF TTUMANITY. OBOTHY -t HILLIPS, TO-DAY. *■ HE -D-EART OF -»-»-UMANITY. • A PICTORIAL POEM OF EXQUISITE FEELING AND SENTIMENT, WONDERFULLY , MOUNTED, SPLENDIDLY ACTED, ALTOGETHER BEAUTIFULLY DONE, A • SUCCESSFUL BLEND OF SCENIC BEAUTY, HUMOUR AND HUMAN TENDERNESS. ONE OF THE GREATEST AND MOST SATISFYING OF STORIES. rpHE /CHANCE OF OEEING OUCH A "PICTURE CELDOM /"^OMES. Nothing too great can be said of a picture which strikes at the very heart of half the troubles of this world. Of the work of Miss Dorothy Phillips, star of the picture, too great praise cannot be s'ven. for it is the supreme role of her > \ career. Such sympathetic interpretation, such heights of emotional portrayal, such dramatic talent, has rarely been combined in one characterisation. TREMENDOUS IS A BIG WORD, BUT IT ISN'T BIG ENOUGH FOE 3 "rnHE TTEART f\V TTUMANITY." "J- HE JJ-EART v»ji> -O-UMANITY." j IT RANKS AMONG THE REALLY GREAT—A PICTURE WITH A SOUL— " mHK TTEART f\F TTUMANITY. - ' ! » X ije -D-iiART F JJ-UMANITY." BOOK YOUR SEATS FOR TO-MORROW. BOX PLAN AT NATIONAL PICTURES. : -JO-ATIONAL QRCIIESTRA, TN A UCKLAND. OVERTURE: "QUEEN OF AUTUMN" (C. BIGGE), 8 P.M. SESSIONS: 11.15, 1.P.0. 3.45. 6, 8 P.M. RESERVE YOUR SEATS 8 P.M. SESSION. PRICES: DAY SESSIONS—STALLS, Cd ; CIRCLE, 1/1. AFTER 0 P.AI. : STALLS, 1/] ; CIRCLE, 1/7; DRESS CIRCLE, 2/1. RESERVES, 2/7.

HORTICTTI.TPBAL SHOW. TT.ENDE«eOJJ ,g H O W. J gATURDAY, M A.KCH -^ FLOWERS, FRUIT, VEGETABLES. COOKERY, XBEJDLEWO-RK. ETC. Trains leave Auckland at 12 noon, 12.20, - 1.20, 3.42, 4.5, 4.22 p.m. SHOW OPEN FROM 1.30 P.M. ■• Lunch and Other Refreshments Obtainable. 12 !, RESTAURANTS, TEA ROOMS. . I TT'ENSINGTON DINING EOOMS, PrlnceM - j XS. Buildings, Queen St.—Open Sunday*. j i Home Cooking a Speciality. D i I "pitlOK'S Stm Leading. The best 1/0 I-L Meals In town.—Strand Arcade Cafe, l>