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FASHIONS FROM PARIS

(By a Parisian I-pert) I

PARIS, NovenAtj f. IBI , Unless there is some <__rti v* before January we may be aM?„T«? % the gowns we 1 There is n 0 doubt that '■* of the styles will change fe.^? 11 * probably not until we'te,£|'" winter clothes.' And ' December will be copied i^t-it^" 1 ;, for the Spring opeidngß. whatistSseasonvV One thing is certain, all the _oa_L. (J for the thin woman, and just 1 stout woman is going to do wlffi'** - * silhouette, it is hard toB never intended for her S o f * "*> Over here, there are no\\*Z They seem to be quite | women of other nations, buVtLt ' * >■' physically s ma,l, and allV&fi "* 7 primarily designed for them ' on( t would have been considerate 7 for any English woman to'hawS - them, and vet Europe i« fln»uV -I? 7 English women who ' fashions with quite, an air because they seem to have adopted the French We in some way that; is still a,mvste™to \e r 00 ™ w>**SSs__ to do? The fashions ot-th e _o ment seem only to shorten the figure, md the narrow skirt with one. of the new Grecian ballet tunics, standing- five inches from her figure does; not suit; her, ! nor does a soft sash wound about her waist and her hips, and front with a cabuchon a la Fatima,. The question is a serious one, far more serious than those know who merely a,t fashion; IN GREAT SEtiDEST. Tlie kimono sleeve seenwJ'tV be with us to stay, as there is no' 'tendency to do away with it. Some"fieasonV'they may possibly be very shorty and some I seasons, long, still V-e stick .to the I kimono, and what more style I could we have? Surely the large puff I ; was never ? 0 becoming. We. have had I this kimono sleeve with /us for-eight I years, so that it has. beeqirie almost a I fixture. . ..' - ; M . THE CULT OF THESASH7 jl You must be very slim to wear the f new sash successfully. There's a vejrit-. able obsession for the sash. It, is suit ■ able only for the very young. For these it is more attractive in the'ciptnerbind guise; in velvet or silk, it is about the inches wide, and iv swathed. the waist and hips in loose" folds, dragged down belorw 'the waist-line at the back. More generally7l&onung,7ia the closely fitting variety. ' Nearly every evening dress has a waistharid,*'«nd therefore the'se'parate bodice and skirt are practicable. The Swiss belt" is «i----joying a period of prosperity, ing are the hretelles* of. ribbon "'that spring from the ceihture,'find are, <r«rHfl over the shoulders and below. _,c waistwhen they merge into sash"ends,weighted with fringe. A notable sashig onefthat is made of two bands of moire ribboß; the ends attached to the corsage just helow the shouldor blades are crossed over, i brought round to. the front, and then, at the left side .loosely .knotted.:'' NEW DEPARTURE..'.' . Black and rvhite. which fat; "the. p_t, three yeans ■ has been' so uiuversa"lT; worn, iffftfißW ffct;b'in")Srg* past, and brilliant colours arc 'lifting(ilk stitufed. Thcre'have-been "s'eyeraTws'king costumes niade of clothv ; One-;pbpti"ar'"model in partfculir which, is so becoming to the'deliutiniej is a short skirt, ■. slightly---7ga& ered in all round _:,.-t*i.c-. .■•VMt with. , a little pannier.,-".on. '6» side, and quite plain on the-other? The. coat has a slight suggestion of the cnt; away effect. A small, velvet .'collir in J a matching colour, ends on theeaoulderV The front is buttoned up close .to- the neck., and -also all .'the way, down th" front. Long kimono sleeves,, with.large cuffs of velvet, complete.'. this'cc'stjurnel'lt is certainly a far cry. Trom black" W white to these very brilliant colouring*. Sulphur yellow is a very'popular"and • startling new shade, and amaranth Mil the raisin shade are 's_tebte , 'for'' , ttM» who prefer more sombre colouring. OUR SKETCH. . In amaranth drap souple, tfecotattv of the imaginary flower that nererifite, the tailor suit sketched on this page is., a charming costume. The jacket is jH; the cut-away order, and opens at the. neck over a bodice of pale, pink mouae--line.de soie, that must.be, jmagi.iied, M 7 it was impossible to iiiustratethe ,eftt?t of the jacket if.it hadnot .been.;;i» This mousseline de soie. bodice is aug iv fine pleatings, and cut square, at*, neck, and drawn into the waist with; bright green sash," the'ends.fallinf* o« over the other, each end bead fringe in the same colour. Th?

skirt, with pa'nier *jgjf down the front witMong J£*,£ crochet 'buttons, and> Mackjer«* draped high on one side, and aigrettes placed, at ■ *- Y ?][' " ta rn a_oe, completes -this .*>£ This essentially winter _"» »' a 5g which would thinner materials. It would took espj ally effective, for .instance, in _ deph. grey crepe de chine, or^ gflfggj Liberty satin, and chine, it would be '^%' H *2 coolly dainty as the most plicate lte_v

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Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/AS19140117.2.135

Bibliographic details

Auckland Star, Volume XLV, Issue 15, 17 January 1914, Page 16

Word Count
799

FASHIONS FROM PARIS Auckland Star, Volume XLV, Issue 15, 17 January 1914, Page 16

FASHIONS FROM PARIS Auckland Star, Volume XLV, Issue 15, 17 January 1914, Page 16