Article image
Article image
Article image
Article image

Bronze bust of Te Kooti: Toby Twiss’s reinterpretation of Henry Hill’s sketch. The “hidden side,” the unknown obverse of a profile sketch, becomes the sculptor’s metaphor for the limits of the biographer ’s knowledge of their elusive subject. Bust 2002; photograph by Gil Hanly, 2003. Private collection, Auckland.

This article text was automatically generated and may include errors. View the full page to see article in its original form.
Permanent link to this item

https://paperspast.natlib.govt.nz/periodicals/TLR20030101.2.8.7

Bibliographic details

Turnbull Library Record, Volume 36, 1 January 2003, Page 43

Word Count
48

Bronze bust of Te Kooti: Toby Twiss’s reinterpretation of Henry Hill’s sketch. The “hidden side,” the unknown obverse of a profile sketch, becomes the sculptor’s metaphor for the limits of the biographer’s knowledge of their elusive subject. Bust 2002; photograph by Gil Hanly, 2003. Private collection, Auckland. Turnbull Library Record, Volume 36, 1 January 2003, Page 43

Bronze bust of Te Kooti: Toby Twiss’s reinterpretation of Henry Hill’s sketch. The “hidden side,” the unknown obverse of a profile sketch, becomes the sculptor’s metaphor for the limits of the biographer’s knowledge of their elusive subject. Bust 2002; photograph by Gil Hanly, 2003. Private collection, Auckland. Turnbull Library Record, Volume 36, 1 January 2003, Page 43