Page 17 Advertisements Column 1

Rip It Up, Issue 225, 1 May 1996, Page 17

■■■ - new music "'' ' ' I'- n —rg .-■ ..;.; 7 ..;.......n-, iM .. HOLY BARBARIANS . M T * .■' T Tz CREAM k/ r ■h hl I 'WZ~W% I “I guess I just wanted to ;AlJB| •, «*• 4 >'s •< -£*~ Z‘- : i; H § f« .111 I I ■( g% Hgo home.” explains frontman •, g. ' ||fj| *- -B ZJL JL JL K H .dth f who has Z?^W^Mg•'' ’" ' <-A. A- z . I 1 An Instinct For Detection H . .*. 8!■ An Instinct For Detection recorded the first album ■■■■MHHk- *. 'A;..^W^^^ : - « with his new band HOLY : |flHßEs| th't-V-T/* BARBARIANS In his home Ellfe£Bgi sMMMßbfate ' ■ W|l ' "'T'B ■' town of Liverpool. “People « H Sl®w l\P^A K ~~ ? " Hl are harping on about the || ||| 4 % if: ''* : ; *“S*7"£ |ml H r wfL I2> | Sixties, about the music, Matyw 4«■K - z *>“'•% ■ ,A ' fIH fl I ’ * f /.w '. O'J the freedom. We should be *$ w » '* z , /.: \ < * I||R|L H ~ * bM revelling in our own time. • * SH B JaEc Z W\ " |-\'.l Let’s stop comparing and cs ( < zZ Sg || zr.f'**’’- - MM n ZCJa K‘l Let’s stop comparing and going back. With the •*. «‘zX Z ‘" < *' 7't t? I* rh Holy Barbarians we’re | »* ~ Z •’, »5 ” A4vf«'« - * |S|| ' going toward.” I . "*■ ‘ X $' ' ISIz ’ ’ 4 J “ - '.' $\ * ||||| Single out now E’W'f * -?’ vfiCz "*i B■' ■<*-’" jsT ?" "’ l\X< " R j b^L^2j>2 '^i... '' . MMHBHHHMHHfIML BK M ’ , ■ - r LIONROCK 4 ~ * F * AH INSTIHCT FOR OCTEC ' irflr wjffl -- / ''S' S liil K’« . While JUSTIN ROBERTSON has been a permanent fixture on the dance scene since the late ■ ' Eighties, 1996 is set to be the year when the ~ ; well-known jock unveils himself to the world as «rTZZZTZZZI 1 band leader and guitarist. AN INSTINCT FOR ES CHIL.OREN single ■ ■ . DETECTION marks the latest chapter in a saga i Techno by slowing . . . . . that began with a one-off single in 1992, resultpo and introducing . . mg in an album influenced by reggae, with essive trance beats house and techno touches. dream music Syme’ pioneered by ItalT^ MILES has J ■ GHnam-om twa j 'iowF'"' i -u < PSMMRPgIR-'<hr t ßwo f* <T‘' ’ v HKbf •■' Ifewr ”>«is X ” nHMr \j? S &S 4. ” * ■* B 1 ■■- " ■ XBilg 1 ; <:Z..._Z . ' '^''' A.' '' lygJilS X ? « r SASHA & MARIA BE AS ONE single 1 fIF / ’ r 1 An international superstar DJ / Pro- /Z > f'" ’ ' *' - < -- 1 ' '? % ®'/" ' ducer, Sasha is one of the most **£■•!«*■*> " J Z *f‘ ‘ . „t Z respected artists in the British £4- . ~Z,. ... . ' -,‘, . . ■ ’~ dance scene. Ethereal vocals CHBNA DRUM GOOSEFASM ' CH I NA DRUM OOOSF.FAIR - - mixed with cutting edge dance, BE __,. . . . ... /F X .. ■ What CHINA DRUM lack in terms of finesse REPUBLICA R’FAOV TO GO s.ngl E ONE is the first collaboration . mj>re ■ tham compensated by thejr be||ig . iifcMwy luuu single (s mO re tham compensated for by„ their belligREPUBLICAN lead singer describes with singer MARIA NAYLER. J erent use of power-riff ing and unexpectedly K=-r'L>K»i_i<.«s ieao singer aescnoes i ° J erent use of power-riffing and unexpectedly their music as ‘Techno pop punk thoughtful songs. You get the feeling the only rock' and with her startling vocal thing stopping them from becoming a full-on delivery suggesting an unlikely un- ™ punk ban d is their urgent need to take the piss, ion between Debbie Harry and . , Poly Styrene, Republica come g pl HF jhW JSBk| close to realising that blueprint. J | I 8k 4^MFjmSL I ■k JF® 1! '» gQi w iMm zz.DAVE CLARKE ARCHIVE OWE album y J mg.-, i DAVE CLARKE follows up his ac- - ' ' ' " ' ’ - * - claimed RED series with possibly WAY OUT WEST ■ ■ ;/ the best-British techno album to DOMINATBOH single ~"*> date: a milestone for British techno The mix of rolling breakbeats .... , single x I and mUSiC in « eneral - for and acidic basslines makes Entering the UK S^ <GL no Entering the UK charts at no fans of innovation, dancing and this single an irresistable , a , . . . . . ** 1 and staying for weeks \ °° y g ' eS - J dancefloor tune which al- PRODIGY topped the charts ... J ready reached No 1 ,n with this jagged techno gem Buzz Chart. J and „ d still refused to play MHHHMHMBMMMMMHMMMMMMMMMMMHMMHMI - .Top of the Pops. z \ V /