Page 33 Advertisements Column 1

Rip It Up, Issue 191, 1 June 1993, Page 33

ppftTijrnr ddbcent ROCK N' ROLL. It's a GAME innit? Ups and downs, SLAG BROTHERS PRESENT SWINGS and ROUNDABOUTS, ACOUSTIC and A A ELECTRIC ... ANYONE can do it. So now here from J SLAG BROTHERS is the new BORED GAME in A which you, repeat YOU, can become a pop star in the comfort of your own HOME. You will need FOUR tgjr PLAYERS — one to be the STAR, another to be THE THE NEW ZEALAND ROCK STAR GAME manager and two to be the GROUPIES. FS3 ■ EjFl F l ■■■■■l 1 You can sing. Pierced nose. t Nice smile. Back one. SHHUOuiBH Ahead one. Back three. L..SJ L.Z Ii . JIH ■ ' Reviewed by I'■ v t- | Reviewed by ■ Donna Yuzwalk | ‘ | • ■ Listener. Oh, —Ahead one, Employ Russell you're from but complain . Baillie. Back one. overseas...! while you're I ' * . I doing it. I I * I Single charts F » Get Annie Single released. before it is Crummertodo Doesn't chart: ' released. -‘fX your BVs. Ahead [ j credibility swell. Whoops! Take I * ! one. • ■ Ahead one. 118 |||| '■ credit anyway — .' ■ . . ahead two. ' MjgßglMiiiiWil Forget the whole mBNNNMNM| Return to NZ for - fucking thing, come g . | mum's cooking. E ' ■ I Nobody reads | Tour Australia, back fucking home Interviewed 1 S&fc':.,. I ' theNME | Ahead one, then fucking single With . aboutdru anymore. Back back one, then . the fucking Straw * |jjf ‘ habit. Announce two. Lose BKSE2SHI ahead one, then People. Told you so. |. , ... ■ | contract with another £2OO. 9 hack one. Ahead two. ||| ||| J 4AD. Ahead one. | L . M Single played in I I .. x x . background of 1 Replaced at last Hmmwß " ou . n ‘ KMW Shortland Street ■MENN minute by IS3S® 7*. T " butet ßWffl Rather unbar- ■ ! . Cookie Bear. EKS .°°T' fegggW rassed but ahead ( * Back two. K % t P *.° Ur . ' . ' t = ' ’ Back two. one. | t II I

NEW HAMMOND XB-2 I ’ 7 | L - . . ■ ■ - I 111 I!l i|l 111 II|IIIIIIi lli ll 111 :. 7 J ;j. 7 j illite 7d J i . New Sampling Technology. SPECIFICATIONS REAR PANEL Now, the all-new DRH® sampling : Keyboard citoC6 61-Key : : 7 technology captures the sound and feel of z—the incomparable B-3. Drawbars® 9Pitches i OOOgQ tt j | The idea of sampling a B-3 has been around ' Mellow • for a long time. So has the notion of making Brite • Power a portable instrument with Drawbars. But . siowAttack On/Off * just sampling and adding Drawbars was not Sustain ' - On/Ott • Leslie® standard 11 pinout enough. Hammond has also recreated Upper/Lower * • , those idiosyncrasies Of the tone-wheel Foldback Adjustable * Headphone Stereo .generator that have eluded all previous ——— digital systems. Percussion 2nd . Send/Return For external effects device 3rd The XB-2 flawlessly generates the pure flute Decay Fast/Siow • LjneOut L(mono)/R sound of the B-3. And then goes on to add • Volume Soft such things as the Drawbar foldbacks at the Velocity On/Off * Foot Switch Programmable ; top and bottom octaves, the variances in — key click, and the effect of overdriving a v,brato ° n/o,f • a lcd Contrast adjustable tube amplifier. The total effect of the XB-2 Cl ' C2 C 3 . .■ is the look, sound, and feel of the B-3. And Speed Slow Norm Expression Intemal/External it weighs only 30 pounds instead of over 400. Mid, Fast • • - - J, . . MIDI In/Out/Thru » There S more. Hammond has incorporated — Kev Click Normal/Soft/Off * Function Programmable features that were never dreamed of in the Key Click Normai/Sott/Off original B-3. Overdrive On/Off * S Tone Control BassATreble MIDI Depth MOD Wheel — The XB-2 can perform in virtually any MIDI ——— ; " Dimension environment. SEND and RECEIVE channels Tuning 1 HzSteps Depth-12 25" eo e nK“e L d°O C L or ke o y FF And the - . _ . 6 1„ 0n . s ‘ "'iSllllllffl keyboard can be split into two MIDI ZONES p - 1 - - ■■ With separate SEND Channels, program . LCD Dispiay 16 Characters, 2 Lines . Width: 4575" numbers, and high and low limits for each . — lT’Height-4 33" 116 cm ZONE. The keyboard Will also transmit MIDI ' . sets Cancel, 1- 8 memorized I _L 11cm velocity information, and outboard MIDI Patch Library weight:3olbs. modules can be silenced with the ORGAN 128 User Programmable 13.5 kg SOLO control. A SYSTEM EXCLUSIVE DATA Patches OUT feature allows the player to send Voltage Selectable ioov, i2ov, complete preset and patch information in Leslie* siow/Fast batch form to external MIDI devices. • ' 1; .. -.’Velocity , MIDI Keyboard Off/1/2 * : Accessories Foot Switch, Patch Library. • Percussion On/Off * Expression Pedal. The XB-2 contains a built-in library of 128 ■ : —. patches. Twenty-four Of these are factory set Key Split On/Off * Features accessed through LCD and represent the most commonly used B-3 Split Point Assign * t Optional. settings. The remaining patches can be - \ Split Drawbar Set * atzava t a r-w-r user-defined and saved either as patches, Octave Shift ’ Normai/Up * >4) 5 W j/tL J or as' presets. Presets are accessible from Lower Cancel On/Off the eight controls on the front panel. XX - ZZ . ■ Digital Reverb t Intensity Adjustable...- . . JU * Iff ~ Ar Leslie Ready. 4 Programs Room/Live/ JvICiAnUJrUZyjVUjI C Any 11-pin Leslie tone cabinet can be Haii/Church |K JF.W'FW'.V|| rll B 1 ■PTW plugged directly into the XB-2. An integral — : : MLaliwallM Jkkm II electronic circuit permits the Leslie effect to Pitchßend ±l-12 Semitones • "r 1 ~ be heard even when connected to a : — 42 Taharoto Rd, Takapuna standard amp. Mod Wheel Ph (09) 2285, (09) 4895919