Page 21 Advertisements Column 2

Rip It Up, Issue 187, 1 February 1993, Page 21

SOUNDWAREHOUSE ■■ "M-; ■ ■. ■ . .. j: . ATTENTION: SAMPLER OWNERS WELCOME East-West/Soundwarehouse is the largest distributor of sounds in the World. We carry hundreds of Sample CDs, CD-Roms, Sound-Cards and Sound Disks from AMG (England), Best Service (Germany), DJCS (USA), EastWest (USA), GreytDounds (USA), Hitsound Productions (England), InVision (USA), Metra Sound (Germany), McGill University (Canada), Northstar (USA), OSC (USA), Polestar Magnetics (Sweden), Prosonus (USA) and Time+Space (England). Our libraries cross all musical boundaries from orchestral to rap; jazz to rock, new age to dance — in fact we distribute the largest collection of dance sample libraries — period. CALL OR FAX FOR YOUR FREE CATALOGUE TO SOUNDWAREHOUSE Sydney Ph (02) 363 0493, Fax (02) 327 1040 PO Box 960, Double Bay 2028 Syd.

CR-1604 FANATICAL ENGINEERING PART 1 BEFORE you buy any ' . OUTPUT-O-RAMA: Main stereo ■ Compare closely and you’ll LARGE INTERNAL POWER SUPPLY, brand of 16-channel outputs' with enough oomph to appreciate the fanatical provides power for+4BV phantom . ~ I drive any balanced or unbalanced . engineering that went into the mic power, 12V BNC lamp socket, mixer, consiaer W y input. In fact, all outputs have CR-1604’s specs.'And why we and bi-polar power for main • the CR-1 S become sufficient level to drive any input. differ so vastly from mixers that circuitry, hi-output headphone the rack-mount mixer All outputs/ inputs are fully I . merely masquerade as Mackies. . amp and sophisticated of choice for top pros. protected.- \ STUDIO-GRADE MIC PREAMPS. enhancements such as our XLRIO ‘EXIT" \ KZ'mXiirXX packet and we II instrument levels to -10dBm \ \ discrete, large-emitter-geometry board Our supply not only include an astonishing semi-pro to + 4dßu pro gear. \ \ transistor preamplifiers instead e | imina t es inconvenient “wall warts list of touring and 7 SENDS via 4 knobs with plentyX \ of J ust Simple only |jne |umpg , but session players. Studio of gain above unity for special \ \?29jb 00057 THD vet their hum-inducing magnetic fields producers, engineers, effects and center detent at \\ canhande ; i4dßu max inputs . too. They’re typically driven into songwriters, sound unity gain, 4 STERO AUX .\ \ need fa d y P u . H " • non-linearity (15kiloGaus /S or track composers and RETURNS with super-high \ get all the punch and delicacy ’ more) causing stray 25-35uY late-night talk show • headroom, low noise and enough \V r j magneto fields that are easily late-night talk show gain to work with all levels. I \W~tud.o board picked up by shielded audio cables, bands who rely OR lv ,i~nu en uz • I I \P ream P ■ .Our oversized, instrumentationMackie). MUSICALLY USEFUL EQ.Were I \\ grade transformer loafs at SYrifKIVSJo.b.n amazed at how many users tell | / lOkiloGauss, reducing stray fields EXCLUSIVE design us that our 80Hz, 2.skHz IF' * * X to under luV. features. One reason and 12.5 kHz eq points and I x » we specialize in mixing ' circuit design not only i t , jX „ \ GNARLY CIRCUIT BOARDS boards is SO we can be sounds sweet but in I . v Jr / >. \ Unlike brittle boards IS SO we can be eounas sweet put, m i . .. ohenolir our maniacally meticulous • some cases have A I t:. . Wjx V, . phenolic, our maniacally meticulous replaced ouWoard |gg / horizontallyabout details others equalization I ZV/" ' ’ \ mounted overlook. Some details r/ ,, npnilcn .1 \Mill double-sided, help make the CR- COLD-ROLLED I A-'.,' ... IS'Va /YR® through-hole-1604 rugged and « ’ SwhEWr j*? readable. Others SV •wsfeK/v ? b 7' a9 * • ■ vuuuuic. Vinci, ASSIGN \ ' . '- > 3S. J? W irVSrSMktk / ’W- boards and rigid, contribute to the t Z & multi-point mixer's excellent sound '* ‘ suspension prevent quality. And some, like . , x 1 damage from our unique gain ' / 3 external impact, architecture and mix . // . * mix amps with twice amp topology aren't - the HEADROOM. signals really details at all but / ' _///'-£/ i f / f ” .1'• from all inputs rather represent a / - X / ! simultaneously converge here, fundamentally better STKEO Z /•/; AOM Conventional mix amps can 1 . STEREO ' overload and distort when you way to mix music. IN-PLACE SOLO /"//"-Slsw’ Start pouring on the channels. FANATICAL engineering maintains stereo / J // y Our gain structure solves the means phenomenal ‘ perspective for all soloed / / problem for audibly better sound. if channels and returns. / / Silky r Cram the CR-1604 with 10 hot sound. Compare our , imitv PI Ila f A +l, n-iR / omooth f signals and it still has more enpes and features UNITY PLUS faders with Odr / ‘ , specs ana reaiures . . . / ALED ROT AKA headroom than other mixers u>;«k n.unn. a.,, gam at center detent minimize / • . Q . kl , h J .L noise, boost headroom, provide / 1 OTENIIOMEI Ekr runnmg 8 No wonder ours remember that the 20dB more gain above unify to / prevent animation from dust. ,s the mixer of choice among top bottom line is what reduce constant trim re- / ' smoke, liquids and are 10- percussionists like Chester your ears tell you. Put adjustment as input levels / MOULDED without the use of Thompson (Genesis), Bashiri a CR-1604 through 0 change. ■ / eas y-shattered phenols Johnson (Whitney Houston and , , , 3 j a 1 mechanical parts (a major Babe Pace (C+C Music Factory). hands-on work-out and BETTER-THAN-DIGITAL.-,9OdP reliability problem in many - ULTRA-DENSE CIRCUIT TOPOLOGY you'll understand Why s/ N ratio with 106d6 dynamic conventional mixer designs). Plus. ..... , , . whir h rut several major-label CD range (vs. digital with -90 dB S/ cur exclusive ENERGY-‘ ™ Xassi e circu tZ we releases hove been N and 90dB dynamic range). ABSORBING KNOB DESIGN added input a ? nd output buffers so recorded and mixed Incidentally, when comparing . transfei-s vertical impact away the CR-1604 is compatible with a solely on Mackie 5peCS make 5 .7 they refleCt . fvOm l’ ot3 a,l . d main cir " ui s board ’ much wider range of devices. , * real world conditions as ours do. greatly reducing possible damage. ""■M MM 'QB Iff O' RM IN™ IMPORTED AND DISTRIBUTED IN f iiVA A / C L MK HHE NEW ZEALAND BY: ACCUSOUND NZ LTD. fl IMWh lIHE fl PO BOX 67 063 MT EDEN AUCKLAND 3 PHONE (09) 815 0258, MACKIE DESIGNS INC • WOODVILLE, WA, USA fax ( o9) 815 0452