Page 25 Advertisements Column 1

Rip It Up, Issue 171, 1 October 1991, Page 25

GET THE EFFECT = High Sample Rate 16 Bit Drum Machine Module L fgjg| ""1 ota« 1 The Alesis D4is a single rack space drum sound module featuring over 400 simultaneously. Also, the D 4 includes a special trigger velocity curve ' —l^■■■— - sounds, many of which have been sampled with stereo reverb and designed to let replace drum sounds on multitrack tape with sounds from ambience. In addition, our exclusive Dynamic Articulation (TM) feature the D4's extensive collection drum samples. A data entry knob, 32 enables a drum sound to change its tone and pitch depending on how hard character backlit LCD and a velocity sensitive preview button make for easy •' — . \ its hit-just like a real drum. The D 4 features a trigger-to-MIDI converter with setup. The D 4 is perfect for the drummer using trggered samples, or for the , ,12 audio trigger inputs, 21 programmable drumsets selectable via MIDI ..; ’ MIDI musician using a computer and sequencing software who has no need program change, and four outputs configured in two stereo pairs that allow for the sequencing features found in drum machines. Make a complete - MMMI a| I you to place sounds across seven positions in each stereo field. The D4's Alesis song-writing system with aD4, an MMT-8 sequencer and a Data . ’ I ||| ||| fS fta lli| 61 note MIDI note window lets you access up to 61 drum sounds Disk. ■ H H R SQ ciiiuHiKHEBMBHnBHBBIBnK cr\c ■ The Technology That Performs ■■■V ' fIHUJLSEEBIH Direct MIDI to Disk/ Universal Data Storage accomplish each task. Replace those expensive RAM and ROM backup . —————————— Data Disk SQ fills the need for high quality, reliable System Exclusive cards with inexpensive floppies, and store many times more information. (SYSEX) memory backup for MIDI equipment. Providing up to 800 kof And with the SQ feature. Data Disk records and plays back MIDI the ensoniq EPS-16 plus digital sampling workstation , storage on a single 3.5” floppy disk, Data Disk SQ works fast because it performance data, making it the perfect auxiliary hardware sequencer • ' , ’ .. .. . . writes directly to the disk and it uses logical one or two button routines to when you need a streamlined MIDI performance system. <. Hi f a no Fri j , Stllll ..„ I " ww* BHBHHBBBBBBHi X a-wMa* .<A. 4 •* . >- - * »- s < , jgBB »jr 20K Bandwidth Simultaneous Guitar Effects Processor •- S .The Quadraverb GT includes all of the digital effects found in the the harmonic structure of your guitar tone through a powerful parametic a L./.T’;./' ■ Quadraverb, plus an analog guitar pre-amp section which features variable equalizer section combined with the Quadraverb’s resonators that actually . fHEBHsr... , compression, overdrive, distortion, pre-amp lone curves and bass boost, a extract and emphasize harmonics from your guitar. These analog effects. •4' I guitar amp cabinet simulator, and a noise gate. In addition, the Quadraverb paired with the original Quadraverb's reknowned digital effects, produce a Zjf f/ J/ f/ 'GT features an effects loop send and return. The Quadraverb GT has the complete guitar sound, from pre-amp to signal processing, all in one box. £B| » **& gf ffg/g! J? Jy ? jgßy edge on-all other guitar signal processors with its unique ability to fine tune The Quadraverb GT will make your guitar sing. * V Jk . /3ifAnDAl/ron ' 20K Bandwidth Simultaneous Digital Effects Processor users own two or three. Four or more simultaneous effects are available The standard of the industry for simultaneous digital effects processing. including: reverb, delay, chorus flange phase shift, pitch detune. . —. l~***VT”7’A Quadraverb is absolutely unrivaled for its power and audio quality. And now parametric eq, graphic eq, multitap delays, resonator, programmable I ■ T with the powerful Quadraverb Plus software added to the package, panning, ring modulators and 1.5 seconds of sampling. Quadraverb has one I 1 I ■ Quadraverb has no competition. A processor this powerful shouldn’t be this of the most comprehensive real time MIDI implementations ever invented V_v I easy to use. But it is. Quadraverb's are installed in thousands of major first ' for a digital signal processor. 20kHz bandwidth and super quiet. Quadraverb class recording studios as well as tens of thousands of home studios. Many is a necessity. - THE ENSONIQ SD-1’ MUSIC PRODUCTION SYNTHESIZER MiniycDD ®m .. , ■. 16 Bit Simultaneous Digital Effects Processor .•v-'T/V :. , mixes, the way you want them, To get you started, there’s 100 great factory / J ’.- /If you want to exercise more control over your digital effects but your budget programs and 100 memory slots for your own programs! Like all Alesis I sets some limits to your overall system plans, then Midiverb 111 is for you. ■ digital processors Midiverb 111 has the dense rich sound you cant get ' , BBMBr 1 Featuring a comprehensive editing system that lets you program your own anywhere else 15kHz bandwidth. Put some serious control into your next & FF // / ' ■ FF.-'-' ■■ • effects and control them with real time MIDI for powerful, personalised mix. Jrjvjv M!CROVERB®H! '* K Bl 8' ' . 16 Bit Digital Reverb and Delay ' ; ; -' Too busy too program? Your only desire is to write tunes and get them enough variations on the decay time, tonal character and reflections, so , recorded fast, but you still like lots of reverb options for your mix? Microverb' you’re covered no matter how you want to shape your mix. And if a program . 11l is for you. With 256 programs it takes the Microverb theme to the limit. is too bright or too dark, the 100 Hz and 4kHz controls allow custom X' Reverbs, gated and reverse reverbs, delays and multi-tap delays, spatial - contouring of each program. Microverb should be the centre of all your j • .? enhancement programs and special effects. Each reverb program has music. \| I f M-EQ 230 — — —— .; C3HB ISF the ENSONIQ S Q -2 PERSONAL MUSIC STUDIO 1 MM? rFyffi is ka>Rwt SEwuXm? >1 hS 'MiMK * 11Wi Wi m fty < Dual 1 /3 Octave Precision Equalizer ■ . . ’ Two 30 band 1 /3 octave graphic EQ's in one 19” rack space, for less than shaping for instruments during recording, re-equalizing mixdown tapes, for the price of most single channel units. Like our 1622 Mixer, the M-EQ 230 instrument rigs and sound reinforcement. You can even use the M-EQ 230 . - - uses Integrated Surface Technology (TM) to deliver more features and to get more punch out of your Hi-Fi system. Each channel covers 25Hz to , --I ' llw . better audio performance than ever before in this essential studio building 20kHz in 1/3 octave increments. Auto Power muting protects your speakers - j *■? block. Use it for equalizing the response of your studio monitors, tone by eliminating turn-on thump. . - 3630 COMPRESSOR pwMMMnMMi fl RMS/Peak Dual Channel Compressor Limiter with Gate . knee/soft knee compression styles, are what make the 3630 SO flexible. A good compressor is a necessity in all musical applications, ranging from The real bonus is that you get two channels for much less than most . j ' ‘ recording to mixdown and instrument rigs to sound reinforcement. The 3630 single-channel professional compressors. Inputoutput metering, gain • is a professional, full featured compressor limiter that can handle literally reduction metering, adjustable gate, TRS sidechain for ducking and ; any signal you want to give it. Fully variable threshold, compression ratio, de-essing. and true stereo linkage operation complete this unbeatable - .■ attack, release and output level, and selectable peak/RMS. and hard compressor package. - ■ RA.-IOQ F. australias most outrageous DEMONSTRATOR (BALD) MICHAEL ALLEN Reference Amplifier large built-in heat sinks for high heat dissapation without a noisy fan-based IN NZ DURING NOVEMBER CALL (09) 433 The Alesis RA-100 Reference Power Amp is a 100 watt per channel power cooling system, making it perfect for amplification in studios or any other * . • amplifier engineered to provide clean amplification with low noise and low environment where ambient noise is a concern. Whether used in studio — ■ x FXXFfc F 1 Bk Mi*ZX Ik 1BJ"V Afc.lM Al IFLIF ■.> .fß.lt distortion. Not only will the RA-100 provide clean, accurate reproduction of applications, live sound reinforcement, or instrument amplification, the 59 IO ■ CzK ■ N SCjllM iCy fiND Aft LI" SIS IjFlifiCjS your mixes in studio applications, its rugged, reliable design also makes it RA-100 provides clean, quiet, reliable power with the high quality found in ZIVI WF iftF rlnftiWlM irfcHlVW perfect for PA and sound reinfocement applications. The RA-100 features all Alesis products.