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.. @& gl B g AL IFEEARALAI AIIFRIIER =l Y @ f=y R | s The King ot Zydeco ~ Jpotlighton w R 1 1 N‘”"““%»W o - Y DECO is the term used to describe the traditional dance music of the French speaking Black Creoles from South West Louisiana. It is a mixture of @ SRR A 4;,:-&::4::;:,»—.;—’5}»%,: Fipse ißt e (B e " FL B S ] - N » @e g B s g gi g 0 sy i g e g e 2 Lg g Tg g Tg g Pg R e L e SCh G Lt Afro- American rhythms and singing drenched with Cajun waltzes and two-steps, with the accordian out front leading the celebration. Zydeco S 8 - 4 ssm, =, . music has changed and evolved over the years yet to a remarkable degree it has continued to serve as a very popular dance music and, like its - - 5/@ o white counterpart, Cajun music, has continued to utilise older and traditional tunes and songs. || o cie e siE i -s 0§ .oy = | ThelikesofLosLobos, Paul Simon and the recentfilm “The Big Easy” have recently introduced this style of music to modern audiences, but the form 0 Seaaaee | WIEj | began back in the 1920's when the French influence merged with the Delta blues. And it was Clifton Chenier, the Grammy Award winning .~ . /y/ g undisputedoriginator and King of Zydeco who has put Zydeco music on the map. A multi-talented musician who plays accordion, harmonica, .e g 3 drums, guitar, piano, bass and sings, there is no one else who can match Clifton’s fine musicianship, his charisma as a performer, his improvising . 4 . A ¢ L lier ability as a singer and composer, his deep roots in the French-Creole culture of his region, and his ability to play for his audience according to their T B OATS 4? /',:,’ Ry gy & 3 » v t & Sgevrge” = &@ g e dut o g-& ey e 'p VST RS sy g S g e @/“;@ tastes and needs. Unfortunately he died in 1987 but has left behind no less than 13 albums, Check out the Clifton -~ sound and savour for . . %/// g yourself the extraordinary variety of ingredients stirred into Clifton’s unique gumbo pot of Zydeco delights! : , i {z’g . 'Available on LP and Cassette .~ . ... . Available on LP only -= - , oo el TR el OuWest Ree e e 1072/-1072 *King Of The Bayous’ i i 005207 500 o e Yy e . ”qualusa Boogie” oi e o 0 1076/C-1076 - “The King Of Zydeco” . o 1086 o. el Cf L Emel = Clitton Chenier & His Red Hot Louisiana Band - 1078/C-1078 % o omo 0 T ‘,[l')'6;_‘ : S WEmmell b ive s e | ClossicClifton® S 0 o 1082/C-1082 Available on CD only =~ @EN Lel e e "Live AtThe San Francisco Blues Festival”. 1093/C-1093 %‘(’)‘uluble\?\fnhfi% King Of Zydeco” . CD-301 A oF S e BEGESS P “Live At A French Creole Dance” o 1059/ClO5 SRR Keght e L e (4 Sllljlg a‘a‘://"\ : oonaßloes s ydeco” ;il 1024/C 1024 r o s & !,)%” s =dg ||y “Bon Ton Roulet” : -1031° Distributed by JAYRE RECORDS d(& <> 0 S 0 “Black Snake Blues” : 1038/C-1038 plo By 38.558, Petone, NZ. | - (AP RECORDSIN By sili D, SRR F es i Sings The Blues is it st 0 R1097/C-1097 0 et me BOX 38-558, Petone, NZ- el S G =

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https://paperspast.natlib.govt.nz/periodicals/RIU19891001.2.30.1

Bibliographic details

Rip It Up, Issue 147, 1 October 1989, Page 14

Word Count
535

Page 14 Advertisements Column 1 Rip It Up, Issue 147, 1 October 1989, Page 14

Page 14 Advertisements Column 1 Rip It Up, Issue 147, 1 October 1989, Page 14