Page 5 Advertisements Column 1

Rip It Up, Issue 123, 1 October 1987, Page 5

I- ' W -fcatfArif ■ li-M. 1 9 vr, -r« » 7 ,-/ *<><’ r*t ,<,* ~, or , 4 4- ‘.'w,, -vm* u . ;4>ula <w •• / ...... >-■ rAf LONG LAST- THE DEBUT ALBUM FROM THE \ •■ ?.-'■ F*" T_ '! "!M i .HILL •'->•■ ' • I * ■■■ Chtt*. wk - Mtj s . i h u , . . I HrH ft - . hMM HB' .wkl — FFCF-FF-yTTrFr;- .... .. IME SPIDERS gjjtt Lenßi WSSWSIS ; If* ®ma TMi ini i■llsL *1 - I ißM|™ Jmmb il * %- ”~FF . F>>FF I . > j J -’- • . \ / i!T¥T2 hPf• ■■. / * Bll'*•-'-> <Xt < ■-■ r ■ iwi w i *W HI SF*’ I» T Ilf IKWi» ■1 f i J| 1104 !■? - - Pi H• hi I *v > 115SJJ? s**f 5 ** f <-Tr ' ~ Wi ■ f - ; e\_ iMWri 'FFs. ~■ ■ ..'-•wfez 'Wk Jif9&BSKUKf\.., j3k£X '^ v k mmSTOB B* ? >4l - z . side one , side two Fl . j MY FAVOURITE ROOM JUST ONE SOLUTION (REPRISE) I ARE YOU LOVING ME MORE ACTION WOMAN F >''''. 'WKSafciKW WK *'~ : ’ IyUU/'i IGNORMY ~ ROCKSTAR F Hi NSU JESSICA I ■ ’, JUST ONE SOLUTION . SPACE CADET FF F* Z‘Ff^? y L(. rF- iJirwl HI WTfftRB^W B i' , « BLOOD FROM A STONE THEORY OF THIRA &' Mvj_ ' T t*’ • ■ t f A g ’\- tf v I ’ 1 1 * - : I imm ■ ONIYTHtIONHY .. BK ' .F - - .; iraH ~ - • -w— L_- ■ y~X.™ INMEAMS ■•-•• ?' "X '* v£; ■: 1 ' uwown 1 j ' * t so * a ■ I . MO DREAMBABY i • j ffaMHIHBH WOMMQRMffiIMAH. j' z 4*W , j .1 ['<«! " IH CANDYMAN Ml Jm 1 F j. jk BH jfF - |ri Jy., z ~ . _.... .. r __— m .. .-.■., FALLING ''. ' • Z 1 •• Jf/Zf Ff : \ 1 i-mhurtin' . ..>^kMMß|l^ oAimmi ■IFRK'fe’ITS 1 JYTkS OH PRETTY WOMAN • 1 USm MI * IWW , . f! OMYDOOSY »-- ? » FF»> I 4 ! F4x\C? e \*\ •*- 1 v' "FXxFtF’ x” F FX'Ff‘44 4. F I f BUM BAYOU W ■ ■REAMS" IS A COLLECTORS FANTASY—A TREASURY OF 19 ROY T FM? ■ f bNCLASSICSTOTALLYRER£COR»EOR>R.THEBESTSTATEOFTHE < ' f, F. 4. dMH ART SOUHfi POSSIBLE THE TITLE TRACK a fiRFAM9 tf ff Aj 7 ' lINENTLY IN THE AWARD-WINNING FILM "BLUE VELVEF t WAS </ z/ & ■■ - RDED IN LOSANGELES IN APRIL 1987 WITH ROY, T-BONE BURpn ' B : AND "BLUE VELVET" DIRECTOR DAVID LYNCH CO-PRODUCING. THE Vx < REMAINING 18 SONGS WERE ALL DONE IN 1985. N IN DREAMS- SHOWS ~ ' ORBISON'SMUSICANDVOICETOBETRULYTIMELESS-ASVITALAND ;.! HL CONTEMPORARY AS WHEN IT WAS FIRST PRESENTED. ®F B' • ■ln 1970,1 rode for 15 hours in the back (rfa U-Haul truck to open for Roy Orbison at the was how he opened up your vision. He made a little town in New Jersey fed as bigas the *IF. ' -S’§X. WBI ‘' ; * . NadMBeMuMC fair. K was a summer night and [was 20 years old and he came out in dark sound of his records. ' ’ passes, a dark. suit and he played some dark music. ; ‘I always remember lyin' in bed and right at the end of It’s Over, when he hits that note - “to 74, tearing to the studio to make Bom to Run. 1 was looking at Duane Eddy where it sounds like the world’s going to end. I'd be laying there promising myself that 1 was '' for his jHiiaTMumti and, was listening far a collection of Phil Spector records and I was never going to go outside again and never going to talk to another woman. f , ' K ■fern's AS ?M' Greatest Hits. I’d lay in bed at night with just the lights of “Right about that time my needle would slip back to the first cut and I’d hear... (the A 'ttllfy'* OHhk. >M / TiilKKCn'ifi, love Hrnrts Rnnnin Scared, Only The Lonely and It’s Over opening riff to) Pretty Womand don’t believe you/You’re not the truth/No one could look as 'I/ I'yf Jg FiSh!BL fillin'inv room. - - ' good as you And that was when I understood . Vi I> 'oil rciitforccs friendship and community, but for me. Roy’s ballads were “1 carry his records around with me when Igo on tour today, and 1 11 always remember what . "■'■•” *x .-CwK’ " V' 'SkiW best when ywt wersafetot and in the dark. he means to me and hat he meant to me when I was young and afraid to love. . / Ik Mea that YOU needed verse-chorus-vcrse<honis-bridge-versechorus to - “In 75. when 1 went into the studio to make Born To Run! wanted to make a record with - «’•'' •;? hh His arranyy were complex and operatic, they had rhythm ami movement and words like Bob Dylan that sounded like Phil Spector, but most of all I wanted to sing like Ros * : ;.' *; / MBk underside (ffpqp romance. They were scary. His voice was unearthly ' Orbison. Now everybody knows that nobody sings like Roy Orbison . f \ * ~ *he riHßbihto'. Ifte all-great rock V rollers, to sound like he'd dropped in from another — Bruce Springsteen z , j @L W ima yet get the stuff that was right to the heart of what you were livin’ in today, and that At the induction of Roy Orbison for the Rock and Roll Hall of Fame, ' <.y,4*. ; f \ ' 7 '' Pjp ' ' ' ' / Z BHBBBBBBBBBhk-■ 4.