Page 21 Advertisements Column 1

Rip It Up, Issue 98, 1 September 1985, Page 21

i £ # s» ss ft r Vi 3 MM * -V *^vf! »>v *.■£ m i* /v *sr m ?r * m n mi & w SftyrSMf IS. rft SHI %?■ tJ •;• » ■-.- r« v m •'V . V •"'%* <*• % SS& <v EKi .* IS* *y:? ’•» J«4* ■r fcfe > S ■> '•*■• ' *§■ •V; & v*f 1" IN e$ * SB rt s*w hi w.% i ~rr Vy x? m *r %* -m ?■**> r>' Hi VP *j*r -V" f 8 4.-; W feg > ■ •y £L**S /> * jpamS sr £ V' « <OB ac £ & Qi# Sp*s .;-«■»• rrr -roots «a & tape a ‘• - V *4 * > . « ■ ' ...•. .->•. :• t-v T-.. 'ey-;/ ‘ ■ - wZirntxxm ~**Jy r m »<« *tT* SfeSe - ■ \J •• • •* > • «•?»**?* MS -I.': ■'Tt:/‘/"’"' > " ; '’‘ ; ' ' £,i>_ if-it •' ' *' ".'.. V '-''• .. ,1 j&ier* *• ;• -•« vU;'o„* i*±. ,.; . «% JP* V * -Mr ;..±-^\ ' - ' ---'j.v,, c-" . ■V . - ...S- ---* * ; r;

asggzzszzrz BMH waamaseßam AMERICAN FRONTIER Si TS ► Mostly though, Fables is unretouched R.E.M. in all their rough-cut glory, swinging from contemplative, Byrds-like balladry ("Green Grow the Rushes,” "Good Advices”) to careening, maniacally driven numbers like "Auctioneer (Another Engine),” which is dense with the mad torque of guitars and drums and Stipe’s clenched, tense vocal. It appears to be about the strange motivations and betrayals that underlie a relationship as it comes undone, but who knows? X And so it asks more questions than it answers. Listening to Fables of the Remconstruction is like waking up in a menacing yet wonderful world underneath the one we’re familiar with. R.E.M. undermines our certitude in reality and deposits us in a new place, tilled with both se- ■-> Mostly though, Fables is unretouched R.E.M. in all their rough-cut glory, swinging from contemplative, Byrds-like balladry ("Green Grow the Rushes,” "Good Advices”) to careening, maniacally driven numbers like "Auctioneer (Another Engine),” which is dense with the mad torque of guitars and drums and Stipe’s clenched, tense vocal. It appears to be about the strange motivations and betrayals that underlie a relationship as it comes undone, but who knows? I [ s° asks more questions than it | answers. Listening to Fables of the Rej construction is like waking up in a menac- ! ing yet wonderful world underneath the i j one we’re familiar with. R.E.M. under- | j mines our certitude in reality and deposI its us in a new place, filled with both sel renity and doubt, where we’re forced to think for ourselves. O mmmm 70 Rolling Stone, June 20, 1985 Hwhok, LONE JUSTICE PRODUCED BY JIMMY lOVINE 70 Rolling Stone, June 20, 1985 Recognition comes to L.A. band Lone Justice. In the two years Since Lone Justice broke onto the rock 'n' U oli'X Ul l Playmg romping country-influenced sSof rh ' | MCK u e a pe,l,e d V namo with a voice the size of Gibraltar, has collected a brace of reviews that Robed Hi'lh even Xf lC . hael ,ackson bright chartreuse. Robert Htlburn of the Los Angeles Times compared her laniUoT Hynde, Dolly Partn ' Linda Ronstadt, and ms Joplin in a recent five-page cover story in the patheHn Un / d / a f en(ertamment section. Mikal Gilmore of BN? Herald-Examiner cites Bruce Springsteen, Prince v’rx«V ; ; x. MS * EM s* A X ll m FABLES OF THE RECONSTRUCTION m aawaiag mm im. tntrr> fonnwi