NO NEED TO GO TO THE THEATRE.
By aid of the dioscope, an ingenious instrument brought for the first time tdO public notice during the Parisian Elbe- ® trical Congress, patrons of the are reluctant to leave their firesides ariclQ' temporarily revolutionise all their dp* mestic arrangements in order to attsndrfj theatrical performances in.' henceforth be enabled to see as'WeUq**’’® hear their favorite operatic and t
g,.artists without stirring a yard from home. The apparatus consists of a am^l .“objective” lens, fixqd dp in! a commandirifg the ‘stage of no matter what theatre/ and connected by an electric wire with a diminutive white c ;'glass plate, which may be framed ahd set in the panel of a private drawing.L’ jxjom, however distant from the play- ' .’house in question. Total darkness • having been obtained in the room fur- - nished with a dioscope, a perfect pic- ;; ture of the. stage, its scenery, actors, ; and so forth, faithful in color and absoV. lately reproducing the whole performance, will become visible upon the surface of the glass plate. Supplemented by a telephone communicating e with the theatre, the dioscope will therefore enable its owner to spend his evening at the opera in dressing-gown and slippers, if such be his ideal of comfort, seated in an easy chair, within hail of • his fait de pottle et bonnet de nuit.
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NO NEED TO GO TO THE THEATRE., Ashburton Guardian, Volume III, Issue 511, 17 December 1881
NO NEED TO GO TO THE THEATRE. Ashburton Guardian, Volume III, Issue 511, 17 December 1881
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